Image via IMDb

‘Black Christmas’ (2019) — Review

Sophia Takal’s film tackles gender politics in a slasher film that honors and subverts its source material with flawed but fun results.

Anyone who claims that Bob Clark’s Black Christmas (1974) wasn’t a political film either hasn’t seen it or is an absolute idiot. If you’re offended by or at odds with this statement…

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Sam Lenz

Sam Lenz

A film critic with a taste for genre fare, living in Sioux Falls, SD. If you love movies, we’ll get along just fine.